A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life - until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

Christopher Pepper (Peter Lawford) and Charles Salt (Sammy Davis Jr.) are hip Soho nightclub owners enjoying the good life - until a secret agent turns up dead in their club. They find her diary and, pursuing the case on their own, discover a sinister plot to overthrow the British government, masterminded by a certain Col. Woodstock (John Le Mesurier). Salt and Pepper have a tough time getting anyone to believe their story until Col. Balsom (Ernest Clark) of MI5 hires them to foil the plot.

Mr. Brooks (Leonard Jackson) is an African-American barbershop owner who runs his household with an iron fist. One day, however, Mrs. Brooks (Clarice Taylor) tires of his stern approach and embraces a nonconformist attitude that's more in line with that of their children, including the philosophical Booker T. (D'Urville Martin) and Gideon (Glynn Turman), a black militant. Soon a battle of wills erupts in the Brooks household, and no one is going to readily back down.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A murder suspect (Corbin Bernsen) works for a businessman running against Gillespie (Carroll O'Connor) for sheriff.

Gillespie (Carroll O'Connor) and Forbes (Carl Weathers) link a suspect to a witness of a hit-and-run fatality.

As Gillespie (Carroll O'Connor) and Harriet prepare to leave for their honeymoon, Forbes (Carl Weathers) clashes with a charismatic cult leader (Peter Fonda) who has arrived in Sparta.

The trail of a serial killer leads the sheriff (Carroll O'Connor) and police chief (Carl Weathers) to a prominent citizen in Sparta, Miss.

Only the sheriff (Carroll O'Connor) knows the identity of an actress (Sydne Rome) returned home to Sparta, Miss.

A white lawyer (James Brolin) defends an activist (Dorian Harewood) accused of killing two policemen in a racially tense town.

Anna Lucasta (Eartha Kitt) has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe (Rex Ingram). She's estranged from her family, but when her father and brother-in-law (Frederick O'Neal) see greedy potential in an arranged marriage to affluent Rudolph (Henry Scott), Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny (Sammy Davis Jr.), an old friend, returns to make life difficult.

The 17-year-old dreamer Billie Jean (Peggy Pettit) is the youngest in a family of loving yet discouraging women. Billie Jean's mother, Mama Rosie (Louise Stubbs), cares deeply about her three biological children. However, her own personal disappointments have left her embittered, and she only offers encouragement to her adopted daughter, Netta (Leslie Uggams). When Netta, a successful teacher, returns to visit the family, she may be the voice of guidance and hope Billie Jean desperately needs.

In 1950s Kenya, a preacher (Nathan Dambuza Mdledle) speaks out against the Mau Mau terrorists and is killed for it, leaving his young son, Mwangi (Edwin Mahinda), to fend for himself. Mwangi goes to work in the kitchen of the local British police chief, John Graham (Bob Peck), who welcomes him - though his wife (Phyllis Logan) and son (Ronald Pirie) treat Mwangi with contempt. Things worsen when the Mau Mau intercede in his life again, this time demanding that Mwangi ally himself with them.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

Anna Lucasta (Eartha Kitt) has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe (Rex Ingram). She's estranged from her family, but when her father and brother-in-law (Frederick O'Neal) see greedy potential in an arranged marriage to affluent Rudolph (Henry Scott), Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny (Sammy Davis Jr.), an old friend, returns to make life difficult.

The 17-year-old dreamer Billie Jean (Peggy Pettit) is the youngest in a family of loving yet discouraging women. Billie Jean's mother, Mama Rosie (Louise Stubbs), cares deeply about her three biological children. However, her own personal disappointments have left her embittered, and she only offers encouragement to her adopted daughter, Netta (Leslie Uggams). When Netta, a successful teacher, returns to visit the family, she may be the voice of guidance and hope Billie Jean desperately needs.

In 1950s Kenya, a preacher (Nathan Dambuza Mdledle) speaks out against the Mau Mau terrorists and is killed for it, leaving his young son, Mwangi (Edwin Mahinda), to fend for himself. Mwangi goes to work in the kitchen of the local British police chief, John Graham (Bob Peck), who welcomes him - though his wife (Phyllis Logan) and son (Ronald Pirie) treat Mwangi with contempt. Things worsen when the Mau Mau intercede in his life again, this time demanding that Mwangi ally himself with them.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

Anna Lucasta (Eartha Kitt) has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe (Rex Ingram). She's estranged from her family, but when her father and brother-in-law (Frederick O'Neal) see greedy potential in an arranged marriage to affluent Rudolph (Henry Scott), Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny (Sammy Davis Jr.), an old friend, returns to make life difficult.

The 17-year-old dreamer Billie Jean (Peggy Pettit) is the youngest in a family of loving yet discouraging women. Billie Jean's mother, Mama Rosie (Louise Stubbs), cares deeply about her three biological children. However, her own personal disappointments have left her embittered, and she only offers encouragement to her adopted daughter, Netta (Leslie Uggams). When Netta, a successful teacher, returns to visit the family, she may be the voice of guidance and hope Billie Jean desperately needs.

In 1950s Kenya, a preacher (Nathan Dambuza Mdledle) speaks out against the Mau Mau terrorists and is killed for it, leaving his young son, Mwangi (Edwin Mahinda), to fend for himself. Mwangi goes to work in the kitchen of the local British police chief, John Graham (Bob Peck), who welcomes him - though his wife (Phyllis Logan) and son (Ronald Pirie) treat Mwangi with contempt. Things worsen when the Mau Mau intercede in his life again, this time demanding that Mwangi ally himself with them.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

During the civil rights movement of the '50s and '60s in Mississippi, Medgar Evers (Howard E. Rollins Jr.) rose from being an insurance agent to become one of the most integral activists of the era. From boycotting white merchants in the mid '50s to being a key figure in desegregating the University of Mississippi in 1962, Evers met success, and with it many enemies. When racists swarm his house, his life and the lives of his wife (Irene Cara) and children are threatened.

This documentary follows the beloved South African leader Nelson Mandela from his early days to his presidency, depicting South Africa and its turbulent years during apartheid control, which was brought to an end in 1994 with the nation's democratic election of Mandela as president. Focus is placed on Mandela's early education, his personal relationships, and his political activism for the African National Congress, which led to his 27-year imprisonment for sabotage.

Young South African cameraman Anton van Heerden (Sean Bean) and aging British journalist Charles Rutherford (John Hurt) team up to gather information about an apparent Namibian serial killer. In a country ruled by a minority white government, Nhadiep (Lesley Fong) seems only to murder other blacks. His proximity to the strange and horrifying crimes causes Anton to contemplate his role as a privileged white man in a continent where millions of blacks are oppressed.

An emerging African nation pits soldiers of fortune (Peter Fonda, Reb Brown, Ron O'Neal) against rebels blocking a dam project.

Frustrated by his inability to help an African-American patient who hates whites, a psychiatrist (Peter Falk) asks his superior (Sidney Poitier) to release him from the case. The superior relates a case from his own past during World War II when he treated a young Nazi (Bobby Darin) who despised blacks. Explaining the tragic results of the case, the older psychiatrist encourages his younger colleague not to be swayed by the patient's attitude, to remain objective and to stick with his treatment.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

A Chicago police officer practices his own brand of justice to take down the killers who murdered his partner.

Hotheaded laborer B.J. Hammer (Fred Williamson) can't go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis (Bernie Hamilton), a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Based on the life of tap-dancing legend Bill Robinson - also known as Mr. Bojangles - the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Based on the life of tap-dancing legend Bill Robinson - also known as Mr. Bojangles - the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Growing up on the tough streets of Harlem, Tommy Gibbs (Fred Williamson) has his life made even harder by John McKinney (Art Lund), a crooked cop who breaks the boy's leg, crippling him for life. Drawing on his anger at the racism he faces on a daily basis, Tommy grows up to become the crime kingpin of Harlem. Now that he has the power, he aims to take down New York's Mafia bosses - and also get bloody revenge on his nemesis, McKinney, no matter what the cost.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

An anti-terrorist (Gregory Hines) hunts a walking bomb made by a scientist (Renée Soutendijk) in her own image, with all of her hang-ups.

Five women learn martial arts in order to punish a rapist (Peter Brown) who wears a hockey mask.

Successful Los Angeles football coach John Bookman (Fred Williamson) returns home to Gary, Ind., when his father is murdered. Discovering the town overrun with violent street gangs, John is even more horrified to learn his father was shot by a member of the Rebels, a gang John himself helped form in his youth. John teams up with Jake (Jim Brown) and Laurie (Pam Grier), the parents of a boy who was also killed by a Rebel, to organize their neighborhood against gang violence.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

Richard "Cochise" Morris (Lawrence-Hilton Jacobs), a local basketball hero, and Leroy "Preach" Jackson (Glynn Turman), who dreams of a career in writing, are likable Chicago high school students in 1960s Chicago. They're into hanging out with friends, pretty girls and the Motown sounds so popular during the era. Each wants to make it big in his own way, but not everybody they meet is looking out for them, as they learn when a seemingly harmless outing goes awry.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping - but not killing - the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.