Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Dr. Richard Sturgess (Ray Liotta) leads a team of compassionate doctors at a veteran's hospital. Along with Drs. Morgan (Kiefer Sutherland), Handleman (Forest Whitaker) and Van Dorn (Lea Thompson), he fights to deliver adequate care to needy veterans in the face of funding cuts and a corrupt administration. To succeed, the staff may have to bend the rules and circumvent the villainous "Article 99," a bureaucratic loophole that prevents veterans from receiving the benefits they deserve.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Slick Chicago street hustler Big Daddy Foxx (Yaphet Kotto) lives comfortably off petty confidence scams that he pulls with the help of loyal teenage acolytes Baby 'D (Kirk Calloway), Tiny (Donn Harper) and Player (Thomas Carter). His business is jeopardized, however, when he runs afoul of neighborhood racketeer Goldie (Rudy Ray Moore). Their rivalry escalates until the threat of a freeway being built through their neighborhood obliges them to cooperate in order to fight city hall.

A feisty old woman (Moms Mabley) forces moral support on a big-city candidate (Moses Gunn) for mayor.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Based on the life of tap-dancing legend Bill Robinson - also known as Mr. Bojangles - the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Based on the life of tap-dancing legend Bill Robinson - also known as Mr. Bojangles - the film follows Robinson (Gregory Hines) as he climbs his way up the entertainment ladder from lowly vaudeville performer to one of the greatest black entertainers of his time. However, despite Robinson's meteoric rise and the support of his loyal agent, Marty Forkins (Peter Riegert), his compulsive gambling and love of women keep him from enjoying the success his talents have earned him.

Disappointed with her small part in the chorus line of a Los Angeles show, jazz dancer Kelly (Lucinda Dickey) quits and heads home. Her father (John Christy Ewing) disapproves of Kelly's friendship with street dancers Ozone (Adolfo "Shabba-Doo" Quinones) and Turbo (Michael "Boogaloo Shrimp" Chambers), and encourages her to pursue an opportunity to perform in Paris. Ignoring his wishes, Kelly teams up with her friends for a break-dancing benefit show to save an endangered community center.

An ex-convict (Mario Van Peebles) shows residents of his Pittsburgh ghetto how to drive out riffraff with rap music.

At the forefront of early hip-hop culture, DJ Kenny Kirkland (Guy Davis), his B-boy brother, Lee (Robert Taylor), and graffiti artist Ramon (John Chardiet) all have hopes of showcasing their talents outside the confines of South Bronx, N.Y. When Tracy Carlson (Rae Dawn Chong), a composer and choreographer, runs into Kirkland and Lee at one of Manhattan's hottest nightclubs, she offers Lee an opportunity to perform on TV. However, the crew has a long way to go before achieving their dreams.

Legendary guitarist Jimi Hendrix (Wood Harris) innovates 1960s rock 'n' roll, then dies of a drug overdose at 27.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

Harlem's African-American population is being ripped off by the Rev. Deke O'Malley (Calvin Lockhart), who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques) look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. But the police, O'Malley and lots of others find themselves scrambling when the money goes missing.

After a robbery in Harlem turns into a scene of mass murder, promising young black police officer William Pope (Yaphet Kotto) is assigned to the case, along with surly, prejudiced Italian-American cop Frank Mattelli (Anthony Quinn). The pair clashes during their tense investigation as they try to track down the three suspects and apprehend them. Also searching for the fugitives is ruthless mobster Nick D'Salvio (Tony Franciosa), who will stop at nothing to retrieve the stolen money.

In Harlem, N.Y., crime boss Tommy Gibbs (Fred Williamson) is gravely injured while escaping a hit ordered by the corrupt district attorney, DiAngelo (Gerald Gordon). As he recovers, his father, Papa Gibbs (Julius W. Harris), assumes control of the gang, which angers Tommy's best henchman, Zach (Tony King), who goes on to collaborate with DiAngelo and frame Papa Gibbs for the murder of Tommy's ex-wife. This sets off a series of bloody betrayals that ricochet within the crime world.

The mother (Joanna Cassidy) of a runaway (Brandon Douglas) tries to save him from a cocaine dealer's (Howard E. Rollins Jr.) youth gang in New York.

A stark portrait of kids living on the edge, "Hurricane Streets" focuses on one teenager's fight to change the circumstances of his life. Brendan Sexton III delivers a powerful performance in the central role of Marcus, a street-smart teen who dreams of the day that he can escape the city trap and live with his mother in the wide open spaces of New Mexico.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

A Los Angeles policeman (Lou Diamond Phillips) hunts a killer (Jeff Kober) brought back from the gas chamber by Satan.

During a visit to Transylvania, an African prince (William Marshall) gets turned into a vampire by Count Dracula (Charles Macaulay). Sealed in a coffin for several lifetimes, "Blacula" reawakens in 1970s Los Angeles. Leaving a trail of bloodless victims in his wake, he pursues Lina (Vonetta McGee), a woman who bears a striking resemblance to his dead wife. Meanwhile, Dr. Gordon Thomas (Thalmus Rasulala) and top cop Lt. Peters (Gordon Pinsent) are hot on the bloodsucker's trail.

When a hated rival, Lisa Fortier (Pam Grier), is chosen to lead the voodoo cult of Willis Daniels' (Richard Lawson) late mother, a vengeful Willis brings the doomed vampire Prince Mamuwalde (William Marshall) back to life. Willis soon finds the vampire too powerful to control, and Lisa agrees to perform a spell that will break the curse placed on the prince. But, when racist sheriff Dunlop (Michael Conrad) gets involved, the vampire unleashes his deadly revenge.

When nightclub owner Langston (Larry D. Johnson) refuses to sell out to local mob boss Morgan (Robert Quarry), he is beaten to death by a gang of hired thugs. His grief-stricken fiancee, Diana "Sugar" Hill (Marki Bey), vows revenge for his murder and turns to aged voodoo authority Mama Maitresse (Zara Cully). Together they conjure up the demonic spirit of Baron Samedi (Don Pedro Colley), who agrees to help Sugar. He raises an army of zombies and sets them upon Langston's killers.

Although notorious New Orleans gangster J.D. Walker (David McKnight) is shot and killed in the 1940s, his spirit remains restless for three decades, until a hypnotist's supernatural nightclub act allows him to take over the body of Isaac (Glynn Turman), a mild-mannered law student. After inhabiting Isaac, Walker decides to hunt down the Rev. Elija Bliss (Louis Gossett Jr.), a former criminal who helped the authorities find and assassinate the mobster years ago.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) - the man he has long been convinced is the murderer, but never had enough evidence to arrest - intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) - the man he has long been convinced is the murderer, but never had enough evidence to arrest - intending to force a confession.

An adventurer's boss (Maud Adams) and other villains want his widow (Lisa Eilbacher) to lead them to his South American jewels.

Disgraced former police officer David Burke (Ed Begley) is looking for a way to make some quick money. When he decides to rob a bank, he calls on mean ex-con Earl Slater (Robert Ryan) and black entertainer Johnny Ingram (Harry Belafonte) to help him pull off the heist. Johnny is reluctant to agree but is forced to reconsider because of his significant gambling debts, while racist Earl balks because of Johnny's involvement. Ultimately, though, they must work together to get the job done.

Detectives Barzak (Robert Carradine) and Hazeltine (Billy Dee Williams) are trying their hardest to bring down a drug ring, but they're meeting with trouble at every turn, which leads the officers to suspect a mole in their midst. When the detectives are dissuaded by their superiors from following a lead about the man behind the whole operation, Barzak and Hazeltine are forced to find the truth on their own without the support of their department.

After his parents are killed by a car bomb, a former Green Beret named Slaughter (Jim Brown) begins investigating and is shocked to discover they were targets of a Mafia hit. He decides to settle the score on his own and successfully takes out some of the gangsters responsible before being caught by police. Now faced with a murder charge, Slaughter strikes a deal with government officials to have the charges dropped provided he can find and kill another gangster who's since fled to Mexico.

In San Francisco in the 1970s, a serial killer calling himself The Scorekeeper sends taunting notes to the police and media after each of his kills. Although the case is long closed, obsessed detective Jon Lucca (Edward James Olmos) still suspects the wrong man was named as the killer. Learning he has only weeks to live, Lucca meets with Lloyd Ward (George Dzundza) - the man he has long been convinced is the murderer, but never had enough evidence to arrest - intending to force a confession.

In 1950s Kenya, a preacher (Nathan Dambuza Mdledle) speaks out against the Mau Mau terrorists and is killed for it, leaving his young son, Mwangi (Edwin Mahinda), to fend for himself. Mwangi goes to work in the kitchen of the local British police chief, John Graham (Bob Peck), who welcomes him - though his wife (Phyllis Logan) and son (Ronald Pirie) treat Mwangi with contempt. Things worsen when the Mau Mau intercede in his life again, this time demanding that Mwangi ally himself with them.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

Anna Lucasta (Eartha Kitt) has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe (Rex Ingram). She's estranged from her family, but when her father and brother-in-law (Frederick O'Neal) see greedy potential in an arranged marriage to affluent Rudolph (Henry Scott), Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny (Sammy Davis Jr.), an old friend, returns to make life difficult.

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

The 17-year-old dreamer Billie Jean (Peggy Pettit) is the youngest in a family of loving yet discouraging women. Billie Jean's mother, Mama Rosie (Louise Stubbs), cares deeply about her three biological children. However, her own personal disappointments have left her embittered, and she only offers encouragement to her adopted daughter, Netta (Leslie Uggams). When Netta, a successful teacher, returns to visit the family, she may be the voice of guidance and hope Billie Jean desperately needs.

In 1950s Kenya, a preacher (Nathan Dambuza Mdledle) speaks out against the Mau Mau terrorists and is killed for it, leaving his young son, Mwangi (Edwin Mahinda), to fend for himself. Mwangi goes to work in the kitchen of the local British police chief, John Graham (Bob Peck), who welcomes him - though his wife (Phyllis Logan) and son (Ronald Pirie) treat Mwangi with contempt. Things worsen when the Mau Mau intercede in his life again, this time demanding that Mwangi ally himself with them.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

Anna Lucasta (Eartha Kitt) has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe (Rex Ingram). She's estranged from her family, but when her father and brother-in-law (Frederick O'Neal) see greedy potential in an arranged marriage to affluent Rudolph (Henry Scott), Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny (Sammy Davis Jr.), an old friend, returns to make life difficult.

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

The 17-year-old dreamer Billie Jean (Peggy Pettit) is the youngest in a family of loving yet discouraging women. Billie Jean's mother, Mama Rosie (Louise Stubbs), cares deeply about her three biological children. However, her own personal disappointments have left her embittered, and she only offers encouragement to her adopted daughter, Netta (Leslie Uggams). When Netta, a successful teacher, returns to visit the family, she may be the voice of guidance and hope Billie Jean desperately needs.

In 1950s Kenya, a preacher (Nathan Dambuza Mdledle) speaks out against the Mau Mau terrorists and is killed for it, leaving his young son, Mwangi (Edwin Mahinda), to fend for himself. Mwangi goes to work in the kitchen of the local British police chief, John Graham (Bob Peck), who welcomes him - though his wife (Phyllis Logan) and son (Ronald Pirie) treat Mwangi with contempt. Things worsen when the Mau Mau intercede in his life again, this time demanding that Mwangi ally himself with them.

A South American reporter (Raul Julia) investigates the life of an impoverished Caribbean peasant girl who became a world-famous madam (Miriam Colon).

Anna Lucasta (Eartha Kitt) has been walking the streets in San Diego since being thrown out of home, at 19, by her alcoholic father, Joe (Rex Ingram). She's estranged from her family, but when her father and brother-in-law (Frederick O'Neal) see greedy potential in an arranged marriage to affluent Rudolph (Henry Scott), Anna is called back home. Old wounds have hardly healed, though. Just as Anna starts to feel for Rudolph, Danny (Sammy Davis Jr.), an old friend, returns to make life difficult.

When a Western anthropologist, Robert (Richard Mulligan), brings his son, Kevin (John Philip Hogdon), to Kenya to document an eclipse and a remote Masai tribe's reaction to it, both father and son are in for a serious case of culture shock. Used to Western comforts, Kevin is at first hesitant and uncomfortable among the natives, but the English-speaking son of the tribe's chief, Nemolok (Johnny Sekka), helps familiarize Kevin with his culture, opening his eyes to a new way of life.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

A CIA agent (Fred Williamson) in a pancake house closes the case of five blind bank robbers in the Philippines.

Walter Whitney is a successful executive who resides in an upscale Southern California suburb. Like all of his friends and neighbors, Walter is white, and he is shocked when he learns he has a son he never knew about - black teen Roger Porter (Denzel Washington). Despite his surprise, Walter welcomes Roger into his home; unfortunately, the less accepting Mrs. Whitney (Susan Saint James) boots both of them out of the house, and Walter's racist boss fires him, leaving him in a tough spot.

Fed up with his intrusiveness, members of a family shoot a census taker and try to hide his body from a detective.

An agent (Tiana Alexandra) works as an exotic dancer to nab a drug smuggler (Rod Steiger) who hides heroin in breast implants.

An FBI agent (Beau Bridges) and a detective (Bubba Smith) tie ghetto drugs and mayhem to a colonel's (Lloyd Bridges) white supremacists.

Unable to work due to a back injury, elderly Jewish tailor Morris Mishkin (Zero Mostel) spends his days caring for his ill wife (Ida Kaminska) and wishing for happiness. After Morris sees a man (Harry Belafonte) die in the street, the man returns to Morris claiming to be a Jewish angel named Alexander Levine, who must perform a miracle within 24 hours to be confirmed as an angel. As his wife's health improves, Morris shows Alexander that renewing his faith may not be so easy.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

The court-ordered desegregation of an inner-city Los Angeles high school brings 60 white students into the predominantly African-American student body. African-American teacher Quincy Davis (Calvin Lockhart) reaches out to all his students, enticing Lerone (DeWayne Jessie) to advance his reading skills with racy paperbacks, protecting new student Douglas (Jeff Bridges) after a race-motivated beating and trying to quell a potential student strike led by the militant J.T. (James A. Watson Jr.).

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

The court-ordered desegregation of an inner-city Los Angeles high school brings 60 white students into the predominantly African-American student body. African-American teacher Quincy Davis (Calvin Lockhart) reaches out to all his students, enticing Lerone (DeWayne Jessie) to advance his reading skills with racy paperbacks, protecting new student Douglas (Jeff Bridges) after a race-motivated beating and trying to quell a potential student strike led by the militant J.T. (James A. Watson Jr.).

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

Relocating from California to a small town in Arizona, young Tony (Tom Nardini) arrives at a high school simmering with racial tension. While Tony attempts to cool the conflicts between the local Latino gang and a white group led by the tough-talking Bruce (David Macklin), his efforts aren't met with much regard. With even the school's teachers openly taking sides, it seems that little can be done to avoid an inevitable explosion of hate-fueled violence.

The court-ordered desegregation of an inner-city Los Angeles high school brings 60 white students into the predominantly African-American student body. African-American teacher Quincy Davis (Calvin Lockhart) reaches out to all his students, enticing Lerone (DeWayne Jessie) to advance his reading skills with racy paperbacks, protecting new student Douglas (Jeff Bridges) after a race-motivated beating and trying to quell a potential student strike led by the militant J.T. (James A. Watson Jr.).

An angry Vietnam veteran (Lawrence-Hilton Jacobs) leads a Los Angeles street gang in a war on drug dealers.

After African-American teenager Spence Scott (Johnny Nash) gets expelled from his private school for arguing with a teacher, he turns to his grandmother (Estelle Hemsley) for advice. Spence, who lives in a genteel white area and has mostly white friends, feels like an outsider. He visits a bar in a black neighborhood, where he meets a few prostitutes, which doesn't help. Eventually, Spence starts a friendship with the housekeeper, Christine (Ruby Dee), who tells him her own difficult story.

In 1902, Soll (Robert Duvall), a Texas plantation owner who depends on convict labor to keep his farm running, takes a liking to Horace (Lukas Haas), a young boy who works the fields to raise money for his deceased father's headstone. Soll, however, is aging and sinking into senility, making the possibility of Horace ever getting his pay increasingly unlikely. Meanwhile, Soll's relationships with the African-American cons working the farm are complex and informed by both racism and compassion.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

In the midst of the Mariel boat lift - a hurried exodus of refugees from Cuba going to America - an immigration clerk accidentally presumes that dissident Juan Raul Perez (Alfred Molina) and Dorita Evita Perez (Marisa Tomei) are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela (Anjelica Huston), whom he hasn't seen in decades.

A disc jockey and a therapist help callers on a radio program sort through their relationship issues.

A rich Turkish bar owner (Sônia Braga) falls in love with his beautiful Brazilian cook (Marcello Mastroianni).

The love lives of several people of various ages intersect when a young woman named Chloe (Alexa Davalos) comes to town. Immediately, barista Oscar (Toby Hemingway) is enamored with her and thrilled when his boss, Bradley (Greg Kinnear), hires her. Then Bradley's wife, Kathryn (Selma Blair), leaves him for someone else. Afterward Bradley marries realtor Diana (Radha Mitchell), who helps the first couple move in together. Harry (Morgan Freeman) watches it all quietly and muses on love and loss.

After leaving behind her girlfriend to attend college in Chicago, young lesbian Max West (Guinevere Turner) is introduced to Ely (V.S. Brodie), a slightly older woman with quirky habits. While Max and Ely quickly develop an attraction to each another, a poorly timed phone call from Max's long-distance girlfriend, Kate, brings things to an abrupt halt. Meanwhile Max's roommate, Kia (T. Wendy McMillan), helps her girlfriend, Evy (Migdalia Melendez), cope with some tough times at home.

After losing his police officer lover, Christian drag queen Holiday Heart (Ving Rhames) meets 12-year-old Niki (Jessika Quynn Reynolds) and her drug-addicted mother, Wanda (Alfre Woodard). Heart finds relief from heartache and a renewed sense of purpose when he steps in as a father figure to Niki and welcomes the two women into his life. But when Wanda becomes romantically involved with her drug dealer, Silas, it may endanger Niki and threaten to destroy the makeshift family.

Lee Daniels (Pam Grier) is a black girl busted for prostitution. Karen Brent (Margaret Markov) is a white girl arrested for her involvement with a local revolutionary group. The two women meet in jail and, despite their mutual animosity, are chained together for transport to a maximum security prison. Their bus is ambushed en route, however, and the pair manages to escape together. Chased by bounty hunters, crooked police and revolutionaries, they struggle to get along and get away.

When the loan business of her father, Andy (Rudy Challenger), is trashed by thugs looking to force a sale, Chicago private investigator Sheba Shayne (Pam Grier) travels back to her hometown of Louisville, Ky., to even the score. Together with old flame Brick Williams (Austin Stoker), she attacks the henchmen of local loan shark Pilot (D'Urville Martin), but a retaliation leaves Andy dead. Blind with rage, Sheba vows to take out Pilot's boss, mob kingpin Shark (Dick Merrifield).

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Lee Daniels (Pam Grier) is a black girl busted for prostitution. Karen Brent (Margaret Markov) is a white girl arrested for her involvement with a local revolutionary group. The two women meet in jail and, despite their mutual animosity, are chained together for transport to a maximum security prison. Their bus is ambushed en route, however, and the pair manages to escape together. Chased by bounty hunters, crooked police and revolutionaries, they struggle to get along and get away.

When the loan business of her father, Andy (Rudy Challenger), is trashed by thugs looking to force a sale, Chicago private investigator Sheba Shayne (Pam Grier) travels back to her hometown of Louisville, Ky., to even the score. Together with old flame Brick Williams (Austin Stoker), she attacks the henchmen of local loan shark Pilot (D'Urville Martin), but a retaliation leaves Andy dead. Blind with rage, Sheba vows to take out Pilot's boss, mob kingpin Shark (Dick Merrifield).

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Lee Daniels (Pam Grier) is a black girl busted for prostitution. Karen Brent (Margaret Markov) is a white girl arrested for her involvement with a local revolutionary group. The two women meet in jail and, despite their mutual animosity, are chained together for transport to a maximum security prison. Their bus is ambushed en route, however, and the pair manages to escape together. Chased by bounty hunters, crooked police and revolutionaries, they struggle to get along and get away.

When the loan business of her father, Andy (Rudy Challenger), is trashed by thugs looking to force a sale, Chicago private investigator Sheba Shayne (Pam Grier) travels back to her hometown of Louisville, Ky., to even the score. Together with old flame Brick Williams (Austin Stoker), she attacks the henchmen of local loan shark Pilot (D'Urville Martin), but a retaliation leaves Andy dead. Blind with rage, Sheba vows to take out Pilot's boss, mob kingpin Shark (Dick Merrifield).

On assignment from her editor, photographer Friday Foster (Pam Grier) travels to an airport to capture a few shots of the richest black man in the United States (Thalmus Rasulala). But it turns out Foster isn't the only one taking shots as she witnesses - and photographs - an assassination attempt on her subject. With definitive evidence in her possession, she also becomes a target of the assassins. Joining a private eye (Yaphet Kotto), Foster sets out to discover the truth behind the attempt.

A slaver (Warren Oates) buys Drum (Ken Norton), a bordello queen's (Silvia Pinal) son, in 1860s New Orleans.

After his brother's death, Duke Johnson (Fred Williamson) travels to a small Southern town to organize his brother's funeral. During his stay, he decides to revive his brother's nightclub business. However, this venture quickly uncovers the thinly veiled racism and corruption that run rampant in the town. Duke and his friend Aretha (Pam Grier) face demands for bribes and violence from the police. With the arrival of Duke's pal Roy (Thalmus Rasulala), the situation only escalates.

Despite being far from home, American jazz musicians Ram Bowen (Paul Newman) and Eddie Cook (Sidney Poitier) are content living and working in Paris. Ram knows it's the best place for him to develop his musical reputation, and Eddie is far away from the racism that once greeted him on a regular basis. But after meeting and falling in love with American tourists Lillian (Joanne Woodward) and Connie (Diahann Carroll), the pair must decide whether their artistic integrity is worth abandoning.

When an executive and a night watchman are killed in a San Francisco office building, Lt. Virgil Tibbs (Sidney Poitier) is called in to investigate and discovers the watchman was actually killed elsewhere. Soon Tibbs is contacted by urban revolutionaries who confess to kidnapping - but not killing - the watchman in a botched attempt to expose a heroin ring operating out of the building. Tibbs believes them, but when his superiors learn of his ties to the group, he's suspended from the force.